This page has three parts: Independent Biblical Identification, Cross-Entry Synthesis, and Observation Notes.
19-1926-06-29 Biblical Resonance Analysis
Volume 19 — June 29, 1926 “Each created thing contains an image of the divine qualities, and the Divine Will glorifies these qualities in each created thing.”
Stage One — Independent Biblical Identification
Jesus Comforting the Soul; Rocking to Sleep; Heartbeats Sealed (IAD-1 / AJD-1)
“In the arms of Jesus I was so very little… while sleeping I could hear the beating of the Heart of Jesus speaking. It was saying: ‘My Will’; and then another heartbeat, as though answering: ‘Love do I want to infuse in the little daughter of my Will.’ In the heartbeat ‘My Will’ a large circle of light was formed, and in the heartbeat ‘Love’ another circle, smaller, in such a way that the large one would enclose the small one. While I was sleeping, Jesus would take these circles formed by His heartbeat and would seal them in my whole person.”
Psalm 131:2 — “Surely I have stilled and quieted my soul, like a weaned child with his mother, like a weaned child is my soul within me.” Jesus rocking the “little newborn of my Will” to sleep on his breast is the most intimate realization of Psalm 131:2 — here the roles invert: the divine Person holds and rocks the creaturely infant. Affective/meditative
Song of Songs 5:2 — “I was asleep, but my heart was awake. It is the voice of my beloved who knocks: “Open to me, my sister, my love, my dove, my undefiled; for my head is filled with dew, and my hair with the dampness of the night.” Luisa’s state — physically asleep but soul-alert to Jesus’ heartbeat — is precisely the bride’s paradoxical condition in the Song. The sleeping-but-listening soul is the Song’s most intimate mode of attentiveness. Affective/meditative
Isaiah 40:11 — “He will feed his flock like a shepherd. He will gather the lambs in his arm, and carry them in his bosom. He will gently lead those who have their young.” The divine shepherd gathering the lamb in his bosom — Jesus clasping Luisa to his breast and rocking her — is Isaiah 40:11’s most intimate pastoral image applied to the DW soul. Typological
Ephesians 1:13 — “In him you also, having heard the word of the truth, the Good News of your salvation—in whom, having also believed, you were sealed with the promised Holy Spirit,” “Jesus would take these circles formed by His heartbeat and would seal them in my whole person” — the sealing of Will and Love into Luisa’s whole person is the deepest form of the Pauline sealing: not merely the Spirit on the soul but the DW’s two circles (Will and Love) sealed into every part of her being. Direct doctrinal parallel
Revelation 7:3 — “saying, “Don’t harm the earth, the sea, or the trees, until we have sealed the bondservants of our God on their foreheads!” The divine sealing of servants as the mark of belonging — here expanded from the forehead-seal to a whole-person sealing of every atom with the circles of Will and Love. Typological
The Round through Creation: Each Created Thing as Image of Divine Qualities (CVT-1 / RPT-1)
“Let us go around throughout the whole Creation… triumphant of Itself, magnifies and glorifies all of Its supreme qualities in a perfect way. If you look at the sky… This is the image of Our Supreme Being, which has no beginning and no end… the azure sky… Our Will praises and glorifies Our Eternal Being… This sky, studded with stars, is the image of Our Being: just as the sky is one, so is the Divinity one single act… Our Will glorifies the image of Our immutability in the firmness of the mountains; the image of Our justice in the roaring of the thunder and in the bolt of lightning; the image of Our joy in the little bird that sings… the image of Our moaning love in the turtledove that moans; the image of the continuous call that We make to man in the lamb that bleats… All created things have a symbol of Ours, an image of Ours.”
Psalm 19:1–4 — “The heavens declare the glory of God. The expanse shows his handiwork. … There is no speech nor language where their voice is not heard. Their voice has gone out through all the earth, their words to the end of the world.” The sky declaring God’s glory is Psalm 19’s precise scriptural home for the June 29 sky-image. The entire round through creation’s images is the explicit unpacking of what Psalm 19:1 names — creation’s voiceless declaration of the divine attributes. Direct doctrinal parallel
Romans 1:20 — “For the invisible things of him since the creation of the world are clearly seen, being perceived through the things that are made, even his everlasting power and divinity, that they may be without excuse.” The divine qualities visible in created things is Romans 1:20’s foundational theological claim. June 29 enumerates precisely what Romans 1:20 refers to as “invisible attributes… in the things that have been made”: eternal being (sky), light and love (sun), immensity (sea), immutability (mountains), justice (thunder), joy (singing bird), mourning love (turtledove), call to man (lamb). Direct doctrinal parallel
Psalm 29:3–9 (translation pending) — “The voice of the LORD is over the waters… The voice of the LORD is powerful; the voice of the LORD is full of majesty… The voice of the LORD flashes forth flames of fire. The voice of the LORD shakes the wilderness.” The thunder as the voice of God’s justice — “the image of Our justice in the roaring of the thunder and in the bolt of lightning” — is Psalm 29’s thunder-theophany, the Old Testament’s primary identification of thunder with the divine attribute of power and justice. Typological
Psalm 104:1–4, 24–25 — “Bless the LORD, my soul. The LORD, my God, you are very great. You are clothed with honor and majesty. He covers himself with light as with a garment. He stretches out the heavens like a curtain. He lays the beams of his rooms in the waters. He makes the clouds his chariot. He walks on the wings of the wind. He makes his messengers winds, and his servants flames of fire. LORD, how many are your works! In wisdom, you have made them all. The earth is full of your riches. There is the sea, great and wide, in which are innumerable living things, both small and large animals.” Psalm 104’s movement through sky (light-as-garment, heavens-as-tent), sea, and creatures follows the same arc as Jesus’ round through creation. Affective/meditative
Psalm 148:1–12 — “Praise the LORD! Praise the LORD from the heavens! Praise him in the heights! Praise him, all his angels! Praise him, all his army! Praise him, sun and moon! Praise him, all you shining stars! Praise him, you heavens of heavens, you waters that are above the heavens. Let them praise the LORD’s name, for he commanded, and they were created. He has also established them forever and ever. He has made a decree which will not pass away. Praise the LORD from the earth, you great sea creatures, and all depths, lightning and hail, snow and clouds, stormy wind, fulfilling his word, mountains and all hills, fruit trees and all cedars, wild animals and all livestock, small creatures and flying birds, kings of the earth and all peoples, princes and all judges of the earth, both young men and maidens, old men and children.” The universal liturgy of creation praising God — all elements participating — is the Psalter’s form of what Jesus invites Luisa to accomplish through the DW’s round: each created thing already raised to praise; the DW soul joining and completing this universal praise. Typological
Sirach 43:1–12 — “The pride of the heavenly heights is the clear sky, the appearance of heaven, in the spectacle of its glory. The sun, when it appears, bringing tidings as it … instrument, the work of the Most High.” Sirach 43’s sustained hymn to creation’s declaration of divine glory — sky, sun, stars, thunder, sea — follows the same sequence as Jesus’ round. Affective/meditative
1 Timothy 6:16 — “He alone has immortality, dwelling in unapproachable light, whom no man has seen nor can see, to whom be honor and eternal power. Amen.” The “unity of this supreme light” in which the DW soul lives — Jesus describes as the shared habitation with the One who “dwells in unapproachable light.” The sky’s boundless azure is the created image of this divine light. Direct doctrinal parallel
Song of Songs 2:12 — “The flowers appear on the earth. The time of the singing has come, and the voice of the turtledove is heard in our land.” The turtledove’s voice as a signal of the Beloved’s presence — here the turtledove’s moaning is “the image of Our moaning love,” the divine mourning-love for the soul that has not returned. The Song’s turtledove becomes the creature-veil through which divine longing is expressed. Affective/meditative
John 1:29 — “The next day, he saw Jesus coming to him, and said, “Behold, the Lamb of God, who takes away the sin of the world!” The lamb as the creature-image of the divine call — “in the lamb that bleats, saying in each bleating: ‘Me, Me, come to Me, come to Me’” — resonates with the Lamb-of-God cry that is itself the continuous divine call to man’s return through sacrifice. Typological
Job 38:4–38 — “Where were you when I laid the foundation of the earth?… who shut in the sea with doors?… who has cleft a channel for the torrents of rain and a way for the thunderbolt?” The divine interrogation through creation is Job 38’s form of what Jesus discloses in the positive: the sky, sea, and thunder that God questions Job about are the same elements he now identifies as images of his own attributes. Typological
The DW’s Commitment to Magnify God in All Creation; Inheritance for DW Souls (PDW-1)
“All created things have a symbol of Ours, an image of Ours; and Our Will has the commitment to magnify Us and glorify Us in all Our works, because, since the work of Creation is work of the Supreme Fiat, it was befitting for It to preserve Our glory, whole and permanent, in all created things. Now, Our Supreme Will wants to give this commitment as inheritance to one who must live in the unity of Its light… all created things as well as my Will await you in each created thing, to repeat Its very acts, to glorify and magnify your Creator with the very Divine Will.”
Romans 8:19–22 (translation pending) — “For the creation waits with eager longing for the revealing of the sons of God… the whole creation has been groaning together in the pains of childbirth until now.” “All created things as well as my Will await you in each created thing” — the Pauline creation-groaning-and-waiting finds its resolution here: what creation has been waiting for is the DW souls who will repeat the DW’s own acts in each created thing and complete the glorification. Direct doctrinal parallel
Revelation 5:13 — “I heard every created thing which is in heaven, on the earth, under the earth, on the sea, and everything in them, saying, “To him who sits on the throne and to the Lamb be the blessing, the honor, the glory, and the dominion, forever and ever! Amen!” The universal hymn of every creature is what the DW soul enables by repeating the DW’s acts of magnification in each created thing: the DW soul is the instrument through which the Revelation 5:13 vision is actualized in time. Typological
Psalm 96:11–12 — “Let the heavens be glad, and let the earth rejoice. Let the sea roar, and its fullness! Let the field and all that is in it exult! Then all the trees of the woods shall sing for joy” The exultant praise of all creation joined by the DW soul — creation already singing; the DW soul’s rounds complete what creation’s own voice cannot fully accomplish. Affective/meditative
Ephesians 1:11–12 (translation pending) — “In him we have obtained an inheritance… to the praise of his glory.” The inheritance received by the DW soul — “Our Supreme Will wants to give this commitment as inheritance” — is the Pauline inheritance obtained in Christ, here specified as the specific inheritance of glorifying the Creator with the DW’s own acts in all created things. Direct doctrinal parallel
Colossians 1:16–17 — “For by him all things were created in the heavens and on the earth, … All things have been created through him and for him. … and in him all things are held together.” “Since the work of Creation is work of the Supreme Fiat, it was befitting for It to preserve Our glory, whole and permanent, in all created things” — creation was made through and for the DW; the DW holds it together; therefore the DW preserves the Creator’s glory whole and permanent in each created thing. Christological/Trinitarian
Stage Two — Comparison with Hogan’s Commentary
CORRESPONDENCES
Psalm 131:2 for the rocking/weaned-child image: both streams identify this passage. The entry’s comforting opening is structurally grounded in the same Psalm 131 that has governed multiple prior IAD-1 registers.
1 Timothy 6:16 for “God lives in unapproachable light” / “living in the unity of the supreme light”: Hogan cites this explicitly; Stage One identifies the same passage for the same movement.
The sky-as-image-of-divine-immensity and sun-as-image-of-divine-love: both streams develop the same sequence of creation-images as images of divine attributes, working through sky, sun, sea, mountains, and creatures.
Romans 8:19–22 for creation “awaiting” the DW souls: Stage One identifies this; Hogan does not cite it explicitly but her statement that “all created things await you in each created thing” is the Pauline creation-waiting principle applied pastorally.
DEVIATIONS
For the sky/stars movement, Hogan emphasizes the one-act / innumerable-effects structure through the lens of contemporary astrophysics — “out of one act, everything else actually emerged” — and notes that astronomers recognize the single-source but refuse to name it God. Stage One identifies the Psalm 19, Psalm 148, and Job 38 tradition, which presents the same multiplicity-from-unity as the theophanic form of creation-praise. Stage One grounds it in biblical tradition; Hogan contextualizes it in contemporary cosmology.
For the sun descending “even into hell,” Hogan develops this theologically — God’s presence and mercy even in hell, the soul who testified to God’s mercy there — going beyond what Stage One develops scripturally. Stage One identifies Psalm 139:8 (implied: “If I make my bed in Sheol, you are there”) as the relevant background, which Hogan’s testimony elaborates pastorally.
For the lamb bleating “come to Me,” Stage One identifies John 1:29 (the Lamb of God) as the typological anchor. Hogan develops the bleating as the “continuous call we make to man” without a scriptural citation; the pastoral dimension is clear from the movement itself.
ADDITIONS — MINE
- Song of Songs 5:2 — “I slept but my heart was awake” as the Song’s form of Luisa’s sleeping-but-alert condition
- Isaiah 40:11 — the divine shepherd carrying the lambs in his bosom as the prophetic type of Jesus rocking Luisa
- Revelation 7:3 — the divine sealing as the broader typological context for the whole-person sealing
- Psalm 29:3–9 — the thunder-psalm identifying thunder with divine justice
- Psalm 104:1–4, 24–25 — the creation-praise Psalm structured around the same sky/sea/creatures sequence
- Sirach 43:1–12 — the deuterocanonical hymn to creation declaring divine glory
- Song of Songs 2:12 — the turtledove’s voice as signal of the Beloved’s presence / divine mourning love
- John 1:29 — the Lamb of God as the typological anchor for the lamb-bleat as continuous divine call
- Job 38:4–38 — God’s interrogation through creation as the negative complement of the positive identification in June 29
- Psalm 96:11–12 — creation’s exultant praise joined by the DW soul
- Colossians 1:16–17 — creation made through and for the DW as the ground for the DW’s commitment to preserve divine glory in all created things
ADDITIONS — HERS
Hogan cites Deuteronomy 6:4–10 for Luisa’s total love — “with all her heart, all her soul, all her mind, and all her being.” Stage One did not identify this passage for the entry’s opening. The Shema-as-practiced is how Luisa relates to Jesus; Hogan uses it as the diagnostic for “she truly did love with total love.”
Hogan’s contextual note on contemporary astrophysics (astronomers recognizing a single first act but refusing to name it God) illuminates the sky/stars passage with a contemporary apologetic frame that Stage One’s ancient-biblical approach does not supply.
STAGE TWO SYNTHESIS
The combined findings confirm two dominant traditions governing the central round-through-creation passage. The Psalter-creation tradition (Psalm 19:1–4; Psalm 29:3–9; Psalm 104; Psalm 148; Psalm 96:11–12; Sirach 43) provides the liturgical framework: creation already praising God through each attribute; the DW soul joining this praise through the round. The apocalyptic-inheritance tradition (Romans 8:19–22; Revelation 5:13; Ephesians 1:11–12) provides the eschatological context: creation groaning and waiting for the DW souls to complete what it cannot accomplish alone; the universal hymn of Revelation 5:13 actualized through the DW soul’s rounds. The most load-bearing combined anchors are Psalm 19:1–4 (confirmed alignment of sky-declares-glory with the round), Romans 1:20 (the foundational principle of divine attributes visible in created things), and Romans 8:19–22 (creation awaiting the DW souls to complete what it groans toward).
Cross-Entry Synthesis
Volume 19 — June 29, 1926
Jesus Comforting the Soul; Rocking to Sleep; Heartbeats Sealed
The entry opens with the longest and most tender IAD-1 register in the batch: Jesus spending “several hours” with Luisa, appearing at a young age of rare beauty, sitting on her bed, comforting her, taking her in his arms, and rocking her to sleep. Psalm 131:2 (both streams) governs the rocking image — the weaned child at rest in the mother — but the directional inversion from Psalm 131 is significant: in the Psalm, the soul calms itself like the child; in the entry, the divine Person actively rocks the creaturely infant to rest. The movement is entirely from Jesus toward Luisa, and IAD-1’s logic is explicit: “my coming is necessary for you and for me, because I must see the things of my Kingdom, and while directing It, I must enjoy It.”
Song of Songs 5:2 (Stage One) — “I slept, but my heart was awake” — supplies the paradoxical mode of Luisa’s sleeping: the body rests while the soul remains alert to the heartbeat. This is the Song’s most intimate mode of attentiveness and it is precisely the mode in which the deepest AJD-1 sealing occurs.
The heartbeat-sealing passage advances AJD-1 in a new geometric direction: where June 21 disclosed the DW souls planted inside Jesus’ breast, June 29 discloses Jesus’ heartbeats sealed into Luisa’s whole person — the inverse movement. The two circles (large: “My Will”; smaller: “Love”) sealed into every part of her being is the most microscopically thorough form of DW-formation in the corpus. Ephesians 1:13 (Stage One) supplies the Pauline seal-language: the “promised Holy Spirit” as guarantee of inheritance, here elevated — the sealing is not merely the Spirit’s guarantee but the circles of the divine Will and divine Love sealed into every atom. Revelation 7:3 (Stage One) provides the broader typological context: the divine seal on the servants as the mark of total possession.
The Round through Creation: Each Created Thing as Image of Divine Qualities
The round through creation in this entry is CVT-1’s fourth confirmed appearance and its most elaborate form in the corpus. The first three appearances established the principle (created things as veils/servants of the DW, communicating divine presence); the June 29 entry gives the most systematic enumeration of which divine quality each created thing images:
- Sky (boundless, without beginning or end) = image of God’s eternal Supreme Being without beginning or end
- Starry sky (one sky, innumerable stars) = image of the one divine act and its innumerable ad extra effects
- Sun (light and heat descending to all, even into hell) = image of divine light, love, and all-seeingness
- Sea (immensity holding innumerable creatures) = image of divine immensity
- Mountains (firmness) = image of divine immutability
- Thunder and lightning = image of divine justice
- Singing bird = image of divine joy
- Turtledove = image of divine mourning love
- Lamb = image of the continuous divine call to man
Romans 1:20 (Stage One) provides the foundational theological axiom for this entire sequence: “his invisible attributes… have been clearly perceived… in the things that have been made.” June 29 names the inventory precisely: eternal being, unity-with-multiplicity, love-descending-to-all, immensity, immutability, justice, joy, mourning love, and summons. Psalm 19:1–4 (Stage One) is confirmed by the sky-passage as the most load-bearing single biblical parallel — “the heavens declare the glory of God” is the June 29 sky-image in its Psalter-form.
Hogan contextualizes the one-act / innumerable-effects structure through contemporary astrophysics, noting that astronomers recognize the single first act but refuse to name it God. Stage One identifies Job 38 (Stage One) as the ancient form of the same observation — God interrogating Job through the same created elements that June 29 now identifies as divine-quality images. Both streams illuminate different temporal registers of the same disclosure: ancient theophany (Job 38, Psalm 29) and contemporary cosmology agree that the sky, sea, and thunder cannot be self-explanatory.
The RPT-1 dimension is explicit and central: Jesus invites Luisa not merely to observe creation’s images but to “go around throughout the whole Creation… to repeat Its very acts, to glorify and magnify your Creator with the very Divine Will.” The round through creation’s images is RPT-1’s thirteenth confirmed appearance. The distinctive register here is the most systematic account of what the rounds accomplish in each created thing: the DW soul does not merely praise but repeats the DW’s own acts of magnification in each created thing — the rounds are a creaturely participation in what the DW is already doing in the sky, sun, sea, mountains, birds, turtledove, and lamb.
The DW’s Commitment to Magnify God in All Creation; Inheritance for DW Souls
The entry’s theological summit is the disclosure of the DW’s own commitment and the inheritance it conveys: “Our Will has the commitment to magnify Us and glorify Us in all Our works, because, since the work of Creation is work of the Supreme Fiat, it was befitting for It to preserve Our glory, whole and permanent, in all created things.” Creation as the DW’s own work means the DW has a structural responsibility for the glory preserved in it — the Creator’s glory is not an occasional decoration but a permanent preservation in each created thing, which the DW maintains.
Romans 8:19–22 (Stage One) provides the most precise eschatological context: creation “waits with eager longing for the revealing of the sons of God” and “has been groaning together in the pains of childbirth.” The entry’s “all created things as well as my Will await you in each created thing” gives this waiting its specific content: what creation has been waiting for is the DW soul who will complete the glorification. Creation cannot fully accomplish its own vocation of declaring divine glory; the DW soul who repeats the DW’s acts in each created thing is what creation’s groaning has been laboring toward.
Revelation 5:13 (Stage One) — every creature in heaven and earth and sea declaring blessing and honor — is the eschatological fulfillment that the DW soul’s rounds actualize in time. The universal hymn of Revelation 5:13 is not merely future; the DW soul’s round through creation enacts it in the present — participating in what every creature already cries and completing what the cry alone cannot accomplish.
Colossians 1:16–17 (Stage One) grounds the entire PDW-1 advance: all things were created through and for the DW, and in the DW all things hold together. Because creation is the DW’s own work, the DW’s commitment to preserve glory in it is not an external obligation but an internal necessity — the DW holds creation together precisely by maintaining the divine glory that each created thing images.
Synthesis Conclusion
Dominant biblical imagination: The June 29 entry is governed by two complementary biblical traditions. The Psalter-creation tradition (Psalm 19:1–4; Psalm 29:3–9; Psalm 104; Psalm 148; Psalm 96:11–12; Sirach 43) provides the liturgical-praise framework: creation already declaring divine glory through sky, sun, sea, mountains, thunder, and creatures; the DW soul invited to join and complete what creation already sings. The apostolic-inheritance tradition (Romans 1:20; Romans 8:19–22; Revelation 5:13; Ephesians 1:11–12; Colossians 1:16–17) provides the theological framework: divine attributes visible in created things (Romans 1:20), creation waiting for those who will complete the glorification (Romans 8:19–22), the universal hymn of every creature (Revelation 5:13) enacted through the DW soul’s rounds. The entry’s opening comforting-and-sealing movement is governed by the Song of Songs / Psalm 131 intimacy tradition, providing the affective register in which the theological disclosure occurs.
Most load-bearing scriptural traditions: Psalm 19:1–4 (heavens declaring God’s glory — the primary Psalter anchor for the sky-image, confirmed by the alignment of both streams). Romans 1:20 (divine attributes visible in created things — the foundational theological axiom for the entire creation-round). Romans 8:19–22 (creation groaning and waiting for the DW souls — the eschatological resolution of the CVT-1 teaching).
Three findings of highest theological significance: First, CVT-1’s fourth confirmed appearance is its most comprehensive form in the corpus: an explicit, systematic enumeration of each divine quality and the specific created thing that images it, grounded in Romans 1:20’s principle that the invisible divine attributes are clearly perceived in created things. The CVT-1 doctrine reaches its fullest positive statement — not merely the DW veiled in created things but each created thing named as the specific image of a specific divine attribute. Second, the round through creation (RPT-1 thirteenth confirmed) receives its most theologically precise rationale: the DW soul’s task in each created thing is not merely praise but the repetition of the DW’s own acts of magnification — the DW is already glorifying the divine qualities in each created thing, and the DW soul’s rounds are her participation in this ongoing divine act. Third, the heartbeat-sealing passage (AJD-1 new register) completes the pair with June 21’s planted-inside-Jesus’-breast form: the DW’s interior planting is fully bidirectional — June 21 disclosed the DW soul planted inside Jesus; June 29 discloses the circles of Jesus’ Will and Love sealed into every part of the DW soul — the most thorough account of the mutual indwelling’s interior formation in the corpus.
Observation Notes
See this note in volume context →
19-1926-06-29
CVT-1 — creation-as-image-of-divine-qualities / most comprehensive form: “All created things have a symbol of Ours, an image of Ours; and Our Will has the commitment to magnify Us and glorify Us in all Our works.” CVT-1’s most systematic and elaborate form: a complete enumeration — sky (eternal Being without beginning or end), starry sky (one divine act / innumerable effects), sun (light, love, all-seeingness), sea (immensity), mountains (immutability), thunder (justice), singing bird (joy), turtledove (mourning love), lamb (continuous call to man). Fourth confirmed appearance following the first three (most recent confirmed: January 10, 1926). The fourth potential from April 9, 1926 (mute-language-of-creation / divine-joy without explicit veil language) is superseded by this fully explicit form. Romans 1:20, Psalm 19:1–4 governing.
RPT-1 — creation-round / repeating-DW’s-own-acts / most theologically precise form: “All created things as well as my Will await you in each created thing, to repeat Its very acts, to glorify and magnify your Creator with the very Divine Will.” The RPT-1 round through creation disclosed as a creaturely repetition of the DW’s own acts of magnification in each created thing — the most theologically precise account of what the rounds accomplish. Jesus himself guides the round, naming each created thing’s image. Romans 8:19–22, Revelation 5:13 governing. Previous confirmed: twelfth (June 6, 1926).
AJD-1 new register — heartbeat-circles-sealed-into-whole-person / bidirectional-interior-formation form: “Jesus would take these circles formed by His heartbeat and would seal them in my whole person.” The AJD-1 interior-planting now fully bidirectional: June 21 disclosed the DW soul planted inside Jesus’ breast; June 29 discloses the circles of Jesus’ Will and Love sealed into every part of the DW soul. The most microscopically thorough form of DW-formation in the corpus: the large circle of Will enclosing the smaller circle of Love, sealed into every atom of Luisa’s being. Ephesians 1:13, Song of Songs 5:2 governing. Previous most recent: planted-inside-Jesus’-breast (June 21, 1926).
IAD-1 new register — prolonged-presence / King-enjoying-his-Kingdom / most tender duration form: “We have so many things to do together in the Kingdom of the Supreme Will… my coming is necessary for you and for me, because I must see the things of my Kingdom, and while directing It, I must enjoy It.” IAD-1 expressed through the extended-visit: Jesus appearing at a young age of rare beauty, spending several hours, rocking Luisa to sleep — the most tender and sustained IAD-1 register in the corpus. IAD-1 from both directions: Luisa cannot live without Jesus; Jesus must come because he must enjoy his Kingdom. Psalm 131:2, Isaiah 40:11 governing. Previous most recent: baby-at-breast / Jesus-crying-for-soul (June 20, 1926).
PDW-1 new register — DW-committed-to-preserve-glory-in-all-created-things / creation-as-DW’s-own-work form: “Since the work of Creation is work of the Supreme Fiat, it was befitting for It to preserve Our glory, whole and permanent, in all created things.” PDW-1’s most structural account of the DW’s commitment within creation: because creation is the DW’s own work, the DW has an intrinsic obligation to preserve the Creator’s glory in each created thing permanently. Colossians 1:16–17, Romans 8:19–22 governing. Previous most recent: Creation-and-Redemption-incomplete / Trinity-image-as-primary-purpose (June 20, 1926).